Changes in Greek Art of the Hellenistic Period Include Quizlet

(L–R): Artists Amy Sherald, Yayoi Kusama and Georgia O'Keefe. Photo Courtesy: Amy Davis/Baltimore Sun/Tribune News Service/Getty Images; Toshifumi Kitamura/AFP/Getty Images; Tony Vaccaro/Getty Images

If you've ever taken an art history course or spent time in a fine arts museum, chances are yous know a lot most the men who "defined" their mediums. As with other subjects, most of what we learn about art history today still centers on white men from Europe and, afterward, the The states. In reality, at that place are and then many more artists of all genders to learn from and appreciate.

Here, we're specifically taking a look at just some of the women who have had lasting impacts on their art forms. From some of the art globe's most iconic pioneers to its nigh unsung heroes, these women artists all had a paw — and, in some cases, still have a hand — in changing the globe of fine art and how we ascertain it.

Laura Wheeler Waring

Laura Wheeler Waring'due south portraits Anna Washington Derry and Alice Dunbar Nelson. Photos Courtesy: National Portrait Gallery/Wikimedia Commons

Laura Wheeler Waring was an creative person and educator who taught at Cheyney Academy in Pennsylvania for more 30 years. After studying the work of painters like Cézanne and Monet while abroad, she returned to the The states, becoming all-time known for her portraits of prominent Black Americans, many of which were painted during the Harlem Renaissance.

Cindy Sherman

Two photographs from Cindy Sherman'due south Untitled Moving picture Stills (1977–eighty). series. Photos Courtesy: Museum of Modern Art (MoMA)

Lensman Cindy Sherman was function of the Pictures Generation during the 1980s, and is perhaps most well known for her serial of Untitled Film Stills (1977–lxxx) — self-portraits in which Sherman "posed in the guises of various generic female film characters, amidst them, ingénue, working girl, vamp, and alone housewife" (via MoMA). In this series, and those that followed, Sherman used photography to question the media's influence over our individual and collective identities.

Yoko Ono

A still from the functioning Cut Slice, 1964, and a picture of the installation One-half-A-Room, 1967, equally seen at the Museum of Modern Art in New York City in 2015. Photos Courtesy: Museum of Mod Fine art (MoMA)

You might first call back of Yoko Ono as a musician and activist, but she's also an accomplished performance and conceptual creative person. Ono was considered a pioneer in the functioning fine art movement, earning the nickname the "High Priestess of the Happening".

One of her most revered works, Cut Piece, was a performance she outset staged in Nippon; Ono sabbatum on phase in a dainty suit and placed scissors in front of her, and, in an human activity of daring vulnerability, invited audience members to come on phase and cut away pieces of her clothing. "Art is similar breathing for me," Ono has said. "If I don't do it, I kickoff to asphyxiate."

Betye Saar

Betye Saar'south Black Girl'southward Window, 1969 (full and detail). Photos Courtesy: Museum of Mod Fine art (MoMA)

Earlier becoming a printmaker and activist, Betye Saar studied design and was employed as a social worker. A printmaking elective inverse her entire career trajectory — and, in plough, function of the trajectory of fine art history.

Saar was role of the Black Arts Move in the 1970s and, through painting and assemblage, critiqued institutionalized racism and the racist stereotypes white people held toward Black Americans. "To me the trick is to seduce the viewer," Saar has said. "If you tin get the viewer to look at a work of art, and so you might exist able to give them some sort of bulletin."

Frida Kahlo

People expect at Frida Kahlo's 1939 painting Las Dos Fridas at the Earth Forum of Culture in 2007, which was held in Mexico. Photograph Courtesy: Alejandro Acosta/AFP/Getty Images

Information technology'due south rare to find someone who hasn't at to the lowest degree heard of Frida Kahlo. A self-taught painter from Mexico, she is best known for exploring themes like death and identity through her cocky-portraits. Kahlo oftentimes used bold, bright colors to create her symbol-rich works, and was regarded as ane of the most influential artists of the Surrealist movement.

Yayoi Kusama

A viewer photographs inside the Aftermath of Obliteration of Eternity room during a preview of the Yayoi Kusama's Infinity Mirrors exhibit at the Hirshhorn Museum Feb 21, 2017 in Washington, D.C. Photograph Courtesy: Brendan Smialowski/AFP/Getty Images

Yayoi Kusama started painting at a very immature age, only she's also known for her hyper-real sculptures, polka dots, installations, and then much more. Like many of her peers, Kusama embraced the counterculture of the 1960s, employing nudity in much of her work. Today, she continues to create works for her enduring Mirror/Infinity rooms series, which utilize mirrors and lit objects to create a sense of endlessness.

Amy Sherald

Former Start Lady Michelle Obama (Fifty) and creative person Amy Sherald (R) unveil Mrs. Obama'south portrait at the Smithsonian's National Portrait Gallery in Washington, D.C. on Feb 12, 2018. Photo by Saul Loeb/AFP/Getty Images

Amy Sherald is an American painter and portraitist who depicts Black Americans, often doing everyday activities — something that became more common in portraiture writ large in the mid-19th century. Odds are that you recognize Sherald's piece of work — and her signature grayscale pare tones — as she was the commencement Blackness woman to complete a presidential portrait for the Smithsonian's National Portrait Gallery.

Georgia O'Keeffe

In 1960, Georgia O'Keeffe poses outdoors beside a piece of work from her series, Pelvis Series Red With Yellowish in Albuquerque, New United mexican states. Photo Courtesy: Tony Vaccaro/Getty Images

Known equally the mother of American modernism, you likely associate Georgia O'Keeffe with her paintings of New Mexico'due south landscapes, flowers, skulls, and, merely maybe, the skyscrapers of New York City. In the 1920s, she was the get-go woman painter to gain the respect of the New York art world, all past painting in her unique fashion.

Adrian Piper

Adrian Piper wins the Golden Lion for all-time creative person in Okwui Enwezor's biennial exhibition All the Globe's Futures, function of the 56th Venice Biennale in 2015. Photograph Courtesy: Awakening/Getty Images

Adrian Piper became a pioneering minimalist, feminist, and conceptual creative person in 1970s New York Metropolis. She used her piece of work to question social club, identity, and racial politics by demanding the audience to face up truths near themselves. She frequently challenged people on the streets of New York to guess her race, socio-economical form, and gender — all while dressed as a Blackness man with a fake mustache and sunglasses, or while wearing compelling statements on her clothes.

Shirin Neshat

Shirin Neshat's poses in front of a photograph in her exhibition Our House Is on Fire at the Robert Rauschenberg Foundation in New York Metropolis in 2014. Photo Courtesy: Cem Ozdel/Anadolu Agency/Getty Images

Shirin Neshat left Islamic republic of iran in 1974 to report fine art in Los Angeles, California — before the Iran Islamic Revolution took place. She is best known for her photography, picture show, and video work, much of which explores the relationship betwixt Islam's cultural and religious systems and women. Moreover, Neshat's works often create a sense of solidarity and empowerment.

Jenny Holzer

Jenny Holzer standing in front of her installation at the Guggenheim Museum. Photo Courtesy: Marianne Barcellona/Getty Images

Equally a neo-conceptual artist, Jenny Holzer's work focuses on words and ideas, which she puts on advertizement billboards, projects onto buildings and adds to electronic displays or neon signs.

These works display phrases that deed every bit meditations on various concepts, such as trauma, noesis, and hope. One of her more than notable works, I Smell Yous On My Skin, makes the viewer question what kind of sentiment the sentence conveys.

Rebecca Belmore

Rebecca Belmore's Fringe, 2008. Photo Courtesy: Fine art Gallery of Ontario (AGO)

Much of Rebecca Belmore'south art addresses identity and history — and, in particular, houselessness and the voicelessness of the First Nations People in Canada. Every bit an Anishinaabekwe artist, she works to raise sensation effectually the prejudice, violence, and attempted erasure of Indigenous Northward American culture. In 2005, she was the first Indigenous woman to represent Canada at the Venice Biennale.

Louise Bourgeois

A person looks at Louise Bourgeois' Spider. Photo Courtesy: Timothy A. Clary/AFP/Getty Images

While a prolific printmaker and painter, Louise Conservative is better known for her installation art and sculptures — similar the spider above — which were inspired by her ain experiences and memories. Throughout her career, she created revolutionary works during a time when abstraction and conceptual art were the principal styles shaping the art earth.

Mickalene Thomas

Mickalene Thomas' A Petty Gustation Exterior of Dearest, 2007. Photo Courtesy: Brooklyn Museum

Heavily influenced by pop civilization and pop art, Mickalene Thomas often embellishes her paintings with rhinestones and uses colorful acrylic paints. In her work, Thomas centers Black American women, whom she believes embody power and femininity.

Judy Chicago

Judy Chicago'southward seminal piece of work The Dinner Party. Photo Courtesy: Brooklyn Museum

Judy Chicago was one of the major figures within the early Feminist Art move. As exemplified in her iconic work The Dinner Party, her installation pieces often examine the part of women in history and civilisation — in the 1970s and earlier. While at California Land University in Fresno, Chicago founded the first feminist art program in the U.s.a..

Augusta Brutal

Augusta Brutal with i of her sculptures in the mid-1930s. Photo Courtesy: Andrew Herman/Archives of American Fine art/Wikimedia Commons

Augusta Savage was an American sculptor during the Harlem Renaissance who worked toward securing equal rights for Blackness Americans in the arts. In addition to creating scenic sculptures, ofttimes of Blackness folks, Cruel founded the Brutal Studio of Arts and Crafts in Harlem in 1932, and, a few years later, she became the first Black American elected to the National Association of Women Painters and Sculptors in 1934.

Carolee Schneemann

Photo Courtesy: Museum of Modern Art (MoMA)

Known for her provocative performance fine art practices, Carolee Schneemann is considered the progenitor of "body fine art". (Just expect up her nearly famous work, Interior Scroll, and yous'll see what we mean.) She used her body to examine women's sensuality and liberation from the oppressive artful and social conventions established by our patriarchal gild.

Nan Goldin

Nan Goldin's Christmas on the Other Side, Boston, 1972. Photograph Courtesy: Wikimedia Commons

Famous for her in-the-moment photography, Nan Goldin'south piece of work challenges traditional ability relations. In addition to documenting New York City'southward queer subculture post-Stonewall, Goldin explored the HIV/AIDS crisis, opioid epidemic, and LGBTQ+ bodies.

Elaine Sturtevant

Warhol'southward Marilyn Monroe (1967) by Elaine Sturtevant. Photo Courtesy: Ben Stanstall/AFP/Getty Images

Does this expect like an Andy Warhol to you? Well, that'southward the thought! Elaine Sturtevant, who went by her final name professionally, was a conceptual artist known for her inexact replicas — that is, not-quite-right copies of big-name artists' work.

Some artists and critics encouraged her efforts, while others became quite angry. Nonetheless, Sturtevant used her works to explore the concepts of authorship, originality, and the structure of art culture.

Ruth Asawa

Various hanging sculptures past Ruth Asawa at the De Young Museum in San Francisco. Photo Courtesy: View Pictures/Universal Images Group/Getty Images

During the 1960s, Ruth Asawa created increasingly complex wire sculptures. A San Francisco-based creative person, Asawa's final public commission was the Garden of Remembrance at San Francisco Country University, which was created to recognize Japanese Americans who were interned during Earth War Two.

Catherine Opie

Catherine Opie attends the 2007 Guggenheim International Gala on November 8, 2007 in New York City. Photo Courtesy: Shawn Ehlers/WireImage/Getty Images

Known for her studio, portrait, and landscape photography, Catherine Opie has been a photographer since the historic period of ix. She uses her photography to examine social norms, and, in doing so, displays various subcultures in formal portraits — merely in a manner that conveys ability and respect by evoking traditional Renaissance portraiture.

micha cárdenas

Still from Sin Sol (No Lord's day) VR game. Photo Courtesy: micha cárdenas/YouTube

micha cárdenas is an artist, author, theorist, and banana professor who won an Touch on Award at the Indiecade Festival in 2020 and the Creative Award from the Gender Justice League in 2016. She believes education is the path to liberation and uses VR and art to accost global bug such every bit racism, gendered violence, and climatic change.

Lee Krasner

Lee Krasner: Living Color exhibition at Barbican Art Gallery on May 29, 2019 in London, England. Photograph Courtesy: Tristan Fewings/Getty Images for Barbican Art Gallery

Lee Krasner was an Abstract Expressionist painter who also specialized in collaging. Her works capture a spirit of relentless reinvention, from her Cubist drawings and assemblage to her portraits and murals for the Works Progress Assistants (WPA).

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